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For the Revolution, the royalists themselves could scarcely have entertained a deeper hatred and contempt. He would speak with disgust of its early scenes, of the weakness of the authorities, which he despised, and of the mob, which he abominated.

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She did so on the following day, and Tallien advised him to wait.She was preceded by a cross-bearer between two acolytes bearing tall candles, and followed by a dozen assistants, with veils down and crossed hands; all the lay sisters of the abbey were ranged round their ladies in large grey capes, carrying lighted torches in those beautiful gothic lanterns, with the arms of the royal abbeys emblazoned in stained glass, which are used in processions at night round the cloisters. Never in modern romances have I seen anything so [373] romantic and picturesque as that nocturnal scene.
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THREE:The government of Fribourg had begun to annoy Mme. de Tess about her niece, objecting to her receiving her, and Pauline thought it best to go for a time to Constance. While she was [249] there the smuggler returned, having discovered Mme. de Grammont, who was safe in Franche Comt, and had with her the children of the Vicomtesse de Noailles and their faithful tutor. She had written to her father and sister on handkerchiefs sewn inside the smugglers waistcoat, and was thankful to find they were alive; but she could not, as they begged her to do, get out of France just then, as her husband was not sufficiently recovered from an illness to undertake a journey.

By Elena Smith
THREE:With her fathers death vanished for ever the bright, unclouded happiness of her childhood; her life henceforth was chequered with brilliant success, artistic and social, and acute sorrows in her domestic life; like a picture in which the brightness of the lights seem to deepen the gloom of the shadows. They were very badly off, for Louis Vige had left scarcely any provision for his family, and Lisette for some time was so stunned with the shock and grief that she seemed to be sunk in despair, taking no interest in anything, and giving up even the painting which had been her passion. Doyen, amongst other friends of Vige, used to come to see them; his visits were the greatest consolation to them all, especially to the young girl, who appreciated the affection he had always shown for her father, and by him she was persuaded to resume the studies and work which alone had power to divert her mind in some degree from her sorrow. She began to paint from nature, and did several portraits both in oil and in pastel, working [22] chiefly with another young girl about a year older than herself, Mlle. Boquet, whose father kept a curiosity shop in the rue Saint Denis where he lived, and where Lisette used to go in the evenings to draw from casts by candlelight with her friend.

By Elena Smith
THREE:Horrified at the h?tel of Tallien being in the place de lchafaud, she exclaimed

By Elena Smith
THREE:Far from being forced, as formerly, to keep in the background her marriage with the Duke of Orlans, it was for that very reason that she was high in the favour of the First Consul and the more en vidence she made it, the better it was for her.

By Elena Smith

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THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.
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